Anders Osborne Solo
“Fiery anthems and tumultuous confessional songs punctuated with raw, inspired guitar.“ -- USA TODAY
“Rich and glorious…Osborne possesses a voice that rises out of the darkness to the light of a soulful, tremulous wail. He is a consummate showman and shaman, bending successive moments to suit his majestic purposes. Osborne seeks an epic quality to much of his music, crafting layer upon layer of hugely scaled soundscapes.…never lazily derivative…every slashing guitar figure, every cry of a lyric, seems to come from an authentic place.” -- New Orleans Times-Picayune
Between the potency of his richly detailed songwriting, his intensely emotional, soulful vocals and his piercing, expert guitar work, New Orleans’ Anders Osborne is a true musical treasure. He is among the most original and visionary musicians writing and performing today. Guitar Player calls him “the poet laureate of Louisiana’s fertile roots music scene.” New Orleans' Gambit Weekly has honored Osborne as the Entertainer Of The Year. OffBeat named him the Crescent City’s Best Guitarist for the third year in a row, and the Best Songwriter for the second straight year. Osborne also won Song Of The Year for his composition, Louisiana Gold.
Osborne’s latest released Flower Box, his second full-length album of 2016, recorded in his hometown of New Orleans late last year, Flowerbox is a heavier, guitar-driven follow-up to the acclaimed Spacedust & Ocean Views.
"I love the way this record comes out stout and determined right out the gate, a four-piece rock & roll band making beautiful and conquering noise," says Osborne. "The producer, Mark Howard, has a way of making you play in the moment and being confident. His sounds and engineering style is that of classic records, with his own special sauce of 'haunting' on top of it. The musicians on here are undoubtedly some of my absolute favorites in the world, both as players and as people. Their contributions are invaluable. Scott Metzger, Brady Blade, Carl Dufrene, Chad Cromwell, Marc Broussard, David LaBruyere, Rob McNelley & Justin Tocket. Bad boys! I've been wanting to make this record for several years and I am stoked it's finally here."
A powerful live performer, the musician has won over fans through non-stop touring as well as a heralded collaboration with the North Mississippi Allstars & Southern Soul Assembly.
Jambands.com said, "Osborne finds a striking balance of muscle and grace that allows for the smaller moments of quiet to be just as resounding as the sonic booms." And USA Today has praised his music, saying "The relentless approach amplifies the anguished lyrics, which appear to be about the death of a loved one or a relationship torn asunder or perhaps a spiritual crisis." In a review of Spacedust & Ocean Views, Boulder Weekly said the album "finds the guitarist in a (largely) reflective mood, an extended meditation on place and moments in time, memory, passages through and exits from paragraphs in the non-fiction docudrama of life. Through languid, gently formed figures, Osborne coaxes odes of gratitude and compelling imagery in what seems a little like a travelogue — like watching his kid chasing seabirds on the beach..."
Osborne has earned hordes of new fans. He has toured virtually non-stop, either with his own band, as a solo artist, or as a guest with his countless musical admirers, including Toots and The Maytals, Stanton Moore, Derek Trucks, Warren Haynes, Keb Mo, The Grateful Dead’s Phil Lesh, Jackie Greene and Karl Denson’s Tiny Universe. He’s produced and played on critically acclaimed albums by Tab Benoit, Johnny Sansone and Mike Zito.
Since his recording debut in 1989, Osborne has written virtually all of his own material and contributed memorable songs to a wide variety of artists. Two tunes co-written by Osborne appear on Keb Mo’s Grammy-winning 1999 release Slow Down. Country superstar Tim McGraw scored a #1 hit with Anders’ song Watch The Wind Blow By. Osborne’s compositions have been covered by artists as diverse as Brad Paisley, Tab Benoit, Jonny Lang, Edwin McCain, Sam Bush, Trombone Shorty and Aaron Neville and Kim Carnes. His songs have appeared in multiple feature films. He can also be seen performing in an episode of HBO’s New Orleans-based drama, Treme.
Ryan Montbleau has been an acclaimed singer, songwriter, and bandleader for more than a decade, but with his new album I WAS JUST LEAVING, the New England-based artist has truly arrived. Contemplative and richly emotive, the album offers a glimpse into the often-lonesome life of the relentlessly traveling troubadour, a strikingly single-minded existence too often clouded by the blur of constant motion. Recorded at New Orleans’ Esplanade Studios over four days in January 2016 with producer Anders Osborne and engineer/mixer Mark Howard (known for his work with such icons as Bob Dylan, Tom Waits, Neil Young, and U2), the album marks Montbleau’s first full length release in the wake of a series of seismic personal shifts. Songs like “Bright Side” and the touching title track reveal a uniquely blessed artist who has truly found his voice, his gift for melody and a remarkably open-armed approach.
“There’s no part of this record that I am unsure of,” Montbleau says. “All the juice of the last fifteen years is in there. My humanity and my heart are on this record.”
Montbleau has been among America’s finest songwriters and performers, earning national attention and a fervent fan following with songs like “75 and Sunny” and his breakthrough cover of Tracy Chapman’s “Fast Car,” the latter a Spotify smash with total streams now in excess of 14 million.
After twelve years on the road Montbleau found himself at a crossroads in 2016. “Within a very short time, my world got flipped around. My partner was gone, my band of ten years was gone, my friends were all far away. The one thing I had was a career, because it turns out that was all I had worked on. When the dust settled, I realized I didn’t really have much of a home life.”
“I thought all along that I had been building a home but it turned out I was just leaving. That’s where the title of the song and the record came from. So many raw feelings were just aching through me at that point. Eventually they vibrated out through the guitar, through singing. I had to sing these songs.”
An artist’s artist, Montbleau has collaborated with such diverse performers as Martin Sexton, Trombone Shorty, and Galactic. His association with Anders Osborne extends back to 2012 when the New Orleans-based singer/songwriter/guitarist played on Ryan’s Ben Ellman-produced FOR HIGHER alongside such fellow Big Easy icons as Ivan Neville and The Meters’ George Porter, Jr. Two years later, Anders and Ryan reconnected on the road backstage at a festival. The seeds were planted for a collaboration.
Montbleau’s guitar playing and vocals are both front and center on I WAS JUST LEAVING, with Osborne accompanying on drums, percussion, bass, guitar, and harmonica, each used simply and sparsely for maximum effect. Osborne and Howard built upon that same goal, creating space and capturing rawness by utilizing as many early takes as possible.
“Bright Side,” the album’s first single, is perhaps the song most emblematic of Montbleau’s growth as both a human being and artist. At once finely etched and strikingly direct, “Bright Side” is an ideal distillation of his approach to songwriting, balancing multiple shades of emotional nuance with a fearless, unfettered sentimentality that ultimately leads to a greater truth.
I WAS JUST LEAVING marks a singular milestone for Ryan Montbleau, the moment in which this exceptional singer, songwriter, and performer has blossomed into a fully matured artist.
“I’ve been planting these seeds for so long and it has all led up to this moment. It feels like finally the fruits of all my efforts are coming out. I’m still working hard but there’s an ease to what’s happening. I have a career that I’ve built, that I’ve earned. Now what’s fun is putting out the best music I can and seeing what happens.”