Roomful Of Blues
"Brawny shuffles, swinging horns, searing guitar, passionate vocals and balls-to-the-wall enthusiasm" –LIVING BLUES "Swingin’ jump blues and R&B...high-voltage yet classy" –USA TODAY For nearly half a century, Roomful of Blues has been delivering its signature blend of swing, rock ‘n’ roll, jump, blues and R&B to euphoric audiences all over the world. Blues Revue says, “Roomful of Blues is a sheer joy...contagious, finger-popping, head-bopping grooves...the horns blast loud and proud...explosive and electrifying.” The band has earned five Grammy Award nominations and a slew of other accolades, including seven Blues Music Awards. Twice, the prestigious DownBeat International Critics Poll has selected them as Best Blues Band. With their masterful combination of jumping, horn-heavy blues and R&B, it’s no wonder why the great Count Basie called them “the hottest blues band I’ve ever heard.” Billboard simply says, “Roomful is so tight and so right.”
To commemorate and celebrate their 45th anniversary, the band hosted a three-day party in March of 2013 at one of their favorite haunts, The Ocean Mist, in Matunuck, Rhode Island. The band blew the doors off the packed club, playing to roaring ovations each night. Happily, the proceedings were recorded and the resulting album, 45 Live, is among Roomful of Blues’ crowning achievements. The album is a lightning-in-a-bottle blowout, showcasing the larger-than-life vocal and instrumental power of the band.
45 Live, produced by bandleader/guitarist Chris Vachon, features fourteen songs (over an hour of music) spanning the entirety of the band’s history. The tracks were carefully chosen by Vachon, who included some of the group’s best known originals, like Dressed Up To Get Messed Up, Turn It On, Turn It Up, and That’s Right!, as well as tunes the band had previously recorded or performed with blues giants Joe Turner (Crawdad Hole), Eddie “Cleanhead” Vinson (Somebody’s Got To Go) and Earl King (It All Went Down The Drain). 45 Live is a flawlessly blended mix of rocking guitar, punching horns, room-filling vocals, serious musicianship and unbridled creativity. The results are a non-stop, hip-shaking party. It’s clear why The New Yorker described a Roomful concert as “thunderous performances that get feet stomping and hands clapping.”
Roomful of Blues, according to DownBeat magazine, “are in a class by themselves.” The band has been led since 1998 by Vachon, who, according to Guitar Player, “burns with explosive solos and a delightfully greasy sense of rhythm.” Roomful of Blues has always maintained its signature sound through great musicianship and a stellar horn section—featuring tenor and alto saxophonist (and clarinetist on 45 Live’s Jambalaya) Rich Lataille, who first joined the band in 1970. Lataille’s masterful playing can evoke either the fat-toned, honking sax of the glory days of early rock or the cool elegance of big band swing jazz.
While Roomful of Blues has always been one of the tightest, most joyful blues ensembles in the world, they have never sounded fresher or stronger than with the current line-up. Along with Vachon and Lataille, the band includes vocalist Phil Pemberton, long-time tenor and baritone saxophonist Mark Earley, trumpeter Doug Woolverton, bassist John Turner, drummer Chris Rivelli and keyboardist Rusty Scott.
Roomful of Blues came together in Westerly, Rhode Island in the late 1960s when guitarist Duke Robillard and keyboardist Al Copley began exploring the swinging, jumping blues, R&B and jazz of the 1940s and 1950s. They added a horn section (including Rich Lataille) in 1970. The band’s ability to ignite a sedate crowd into a dancing frenzy solidified their reputation as the best “little big band” in New England and expanded their following into New York and Washington, D.C. In 1974, they performed with Count Basie, and a few years later legendary songwriter Doc Pomus helped them land their first record deal. In 1977, Roomful of Blues’ self-titled debut album on Island Records (reissued on Hyena Records) brought them to the attention of fans and critics from coast to coast.
Over the years there have been more than fifty Roomful of Blues members, each bringing his or her own unique talent and vision to the mix. Famed alumni include guitarist Ronnie Earl, vocalist Lou Ann Barton, vocalist/harpist Curtis Salgado, saxist/vocalist Greg Piccolo and harpist/vocalist Sugar Ray Norcia. Recording for Rounder Records’ Bullseye Blues and Varrick labels between 1980 and 2001, the band cut nine albums that won them international fame and major rock radio airplay. They’ve gigged with stars ranging from bluesmen B.B. King, Otis Rush and Stevie Ray Vaughan to rockers Eric Clapton and Carlos Santana. The band has performed in cities from coast to coast, and traveled abroad to 22 countries including Lebanon, Poland, Spain, Italy, France, Portugal, Switzerland, Turkey and Russia.
In addition to their band recordings, Roomful of Blues were handpicked by legendary musicians like Jimmy Witherspoon, Jimmy McCracklin, Roy Brown, Joe Turner, Eddie “Cleanhead” Vinson and Earl King to back them on stage and on record. These stars of the 1940s and 1950s blues and R&B scene were the very people who created and inspired the music that Roomful still keeps vital and alive. Roomful recorded albums with Turner, Vinson and King during the 1980s, and all three recordings received Grammy nominations. The Roomful Horns backed many other artists as well, including rocker Pat Benatar on her 1991 album True Love, Canadian star Colin James on his album Colin James and the Little Big Band and Stevie Ray Vaughan on his 1984 Live At Carnegie Hall album.
Since Roomful joined the Alligator Records family in 2003, their popularity has continued to increase. Their first Alligator CD was the Grammy-nominated That’s Right! in 2003, followed by Standing Room Only in 2005, Raisin’ A Ruckus in 2008 and Hook, Line & Sinker in 2010. All four albums received massive amounts of critical and popular praise and kept old and new fans flocking to see them live. Blurt magazine raves, “No group has kept the spirit of early rock and roll alive better than Roomful of Blues. The heat burns red hot...they are pure fun to listen to.
They are one of America’s musical treasures.” With 45 Live, Roomful of Blues has fully captured the frenetic energy and musical power of their live show. The band will hit the road hard once again, so people can see and hear for themselves why The Chicago Sun-Times said, “This is a band on top of its game, sliding easily from big-band jazz-blues to guitar-drenched urban blues...let the party begin.”
Hard-driving blues rhythms and soul grooves fuel the blistering performance of D.C.-based soul blues band Vintage#18. After attending a performance, John Porter, WCVE declares, “Vintage#18 is a band you have to see live in order to appreciate their level of performance.” According to The Alternate Root, “Robbin Kapsalis delivers vocals that slink through a smokey haze of Soul”.
Performing together since 2013, the band sharpened their sound and performance chops in clubs throughout Washington, D.C., Maryland and Virginia. April 2017, Vintage#18 released their debut album Grit. The album reflects the band’s love of classic 60’s Soul and Blues, featuring a mix of originals as well as two covers (ZZ Top and Bob Dylan). The band received their first industry nod in early 2017 - a Blues Blast Music Award Nomination for New Artist Album Debut.
Grit delivers soul and passion along with very personal songwriting from Kapsalis and tight musicianship from Holter, Chandler, and Kuldell. The band’s live performances have generated quite the buzz throughout Washington, DC and surrounding areas and the tight-knit group soon found themselves sharing stages with the Nighthawks, Billy Price, Lil’ Ed and the Blues Imperials, Albert Cummings, Selwyn Birchwood, Coco Montoya and Roomful of Blues.
Vintage#18 features the vocals of Robbin Kapsalis, the unique sound of Bill Holter/#18 on guitar, while the groove is laid down by Alex Kuldell/drums and Mark Chandler/bass.
Blues In the South hit it on the head…” Although this outfit is undoubtedly a blues band, they have a distinctively individual sound.”