The Duke Robillard Band
Whether it’s a song, a style, an idiom or an image, Duke Robillard will render it with mastery, power, nuance and an unerring grasp of its essence.
Born Michael John Robillard on October 4, 1948, in Woonsocket, R.I., Duke has carved out one of blues’ most illustrious legacies, while also trodding some lofty related territories as a guitarist, vocalist, songwriter, bandleader, studio sideman, producer, label operator and educator.
After showing an early affinity for music and guitar, he founded Roomful Of Blues with pianist Al Copley in Westerly, R.I., in 1967. By adding horns, Roomful announced itself emphatically as the prototypical jump blues band, and became a New England legend and a fixture beyond, as did Duke himself. His unsurpassed mastery of the guitar style of T-Bone Walker (later crystallized memorably in his 2004 release “Blue Mood”) was deservedly heralded, but his breadth was also head-turning — from swing, standards and ballads to rockers, gutbucket Chicago blues and rockabilly.
By the time Duke left Roomful after a dozen years, he was firmly established in the upper echelon of contemporary blues guitarists. Duke went from Roomful to a stint with rockabilly revivalist Robert Gordon and then to the first iteration of the Legendary Blues Band, composed primarily of then-recent Muddy Waters sidemen.
The Duke Robillard Band debuted in 1981, re-emerging as The Pleasure Kings with their eponymous 1984 album on Rounder. It and its sequel, “Too Hot To Handle,” burnished Duke’s songwriting portfolio; the 1987 jazz outing “Swing” (with saxophonist Scott Hamilton) underscored his versatility and remains a highlight.
Continuing his solo career, Duke replaced Jimmie Vaughan with The Fabulous Thunderbirds in 1990. He cut his own much-awaited straight blues album “Duke’s Blues” in 1993 for Canadian imprint Stony Plain, leading eventually to a rewarding, continuing and prolific alliance, along with releases during the ensuing years on Point Blank/Virgin and Shanachie, as well as instructional videos. He has also launched his own labels with Jesse Finkelstein, Blue Duchess/Shining Stone.
Duke’s prolificity has included producing albums by Billy Boy Arnold, Joe Louis Walker, Rosco Gordon, Jimmy Witherspoon and Jay McShann, Zuzu Bollin, Billy Price and Otis Clay, Sunny Crownover, Bryan Lee and Al Basile as well as recording two collaborations with Herb Ellis, a pairing with his successor in Roomful, Ronnie Earl, a seat in the New Guitar Summit with J. Geils and Gerry Beaudoin, additional studio credits with Bob Dylan (the well-regarded 1997 “Time Out Of Mind”), Ruth Brown, Johnny Adams, Pinetop Perkins, Snooky Pryor, Al Copley, Todd Sharpville and Tony Z, and touring with Tom Waits in 2006.
Duke’s resume is decorated with Grammy nominations, Handy Awards and Blues Music Awards, and other honors for his artistry, recordings and productions within the United States and internationally. On his latest release, “Duke Robillard and his Dames of Rhythm” on M.C. Records, he wields an acoustic archtop and joins six thrushes for evocative and enjoyable renditions of 1920s and 1930s swing tunes; it’s a worthy successor to his 2016 BMA-winning “The Acoustic Blues And Roots Of Duke Robillard.”
Duke remains based in Rhode Island and a whirlwind as a musician, producer, gardener and photographer. But wait, there’s more: he’s now creating fine art abstract paintings, too! At this point for Duke, versatility and mastery should come as anything but a surprise; it just means more richness in a superlative career for us to celebrate.
by Dick Shurman – Noted blues historian and producer
“One of the great players” – BB King
“Robillard is a soloist of stunning force and originality.” – the New York Times
“Most everything Duke Robillard has done as a guitarist during the past four-plus decades…bears witness to his musical intelligence and his dedication to his craft.” – Downbeat
“Robillard’s ability to play across the spectrum of blues is legendary. Few players can move stylistically from Texas to Kansas City to Chicago’s West Side, but Robillard makes it seem easy.” – Guitar Player
“A guitarist’s guitarist, prolific producer, and master of all things blues, Duke Robillard walks the tightrope between traditionalism and experimentation…He’s a master of many styles who moves forward while maintaining a firm grounding in the past.” – Blues Revue
GRAMMY Nominations for Best Traditional Blues Album for 2010 Stomp! The Blues Tonight and 2006 Guitar Groove-a-Rama
The Blues Music Awards (formerly W.C.Handy Awards) have named Duke Robillard “Best Blues Guitarist” four years out of five (2000,2001,2003,2004) making him the second most honored guitarist for that award! He was also nominated in that category in 2005, 2007 and again this year of 2008
Hard-driving blues rhythms and soul grooves fuel the blistering performance of D.C.-based soul blues band Vintage#18. After attending a performance, John Porter, WCVE declares, “Vintage#18 is a band you have to see live in order to appreciate their level of performance.” According to The Alternate Root, “Robbin Kapsalis delivers vocals that slink through a smokey haze of Soul”.
Performing together since 2013, the band sharpened their sound and performance chops in clubs throughout Washington, D.C., Maryland and Virginia. April 2017, Vintage#18 released their debut album Grit. The album reflects the band’s love of classic 60’s Soul and Blues, featuring a mix of originals as well as two covers (ZZ Top and Bob Dylan). The band received their first industry nod in early 2017 - a Blues Blast Music Award Nomination for New Artist Album Debut.
Grit delivers soul and passion along with very personal songwriting from Kapsalis and tight musicianship from Holter, Chandler, and Kuldell. The band’s live performances have generated quite the buzz throughout Washington, DC and surrounding areas and the tight-knit group soon found themselves sharing stages with the Nighthawks, Billy Price, Lil’ Ed and the Blues Imperials, Albert Cummings, Selwyn Birchwood, Coco Montoya and Roomful of Blues.
Vintage#18 features the vocals of Robbin Kapsalis, the unique sound of Bill Holter/#18 on guitar, while the groove is laid down by Alex Kuldell/drums and Mark Chandler/bass.
Blues In the South hit it on the head…” Although this outfit is undoubtedly a blues band, they have a distinctively individual sound.”