Roomful Of Blues
"Brawny shuffles, swinging horns, searing guitar, passionate vocals and balls-to-the-wall enthusiasm" –LIVING BLUES "Swingin’ jump blues and R&B...high-voltage yet classy" –USA TODAY For nearly half a century, Roomful of Blues has been delivering its signature blend of swing, rock ‘n’ roll, jump, blues and R&B to euphoric audiences all over the world. Blues Revue says, “Roomful of Blues is a sheer joy...contagious, finger-popping, head-bopping grooves...the horns blast loud and proud...explosive and electrifying.” The band has earned five Grammy Award nominations and a slew of other accolades, including seven Blues Music Awards. Twice, the prestigious DownBeat International Critics Poll has selected them as Best Blues Band. With their masterful combination of jumping, horn-heavy blues and R&B, it’s no wonder why the great Count Basie called them “the hottest blues band I’ve ever heard.” Billboard simply says, “Roomful is so tight and so right.”
To commemorate and celebrate their 45th anniversary, the band hosted a three-day party in March of 2013 at one of their favorite haunts, The Ocean Mist, in Matunuck, Rhode Island. The band blew the doors off the packed club, playing to roaring ovations each night. Happily, the proceedings were recorded and the resulting album, 45 Live, is among Roomful of Blues’ crowning achievements. The album is a lightning-in-a-bottle blowout, showcasing the larger-than-life vocal and instrumental power of the band.
45 Live, produced by bandleader/guitarist Chris Vachon, features fourteen songs (over an hour of music) spanning the entirety of the band’s history. The tracks were carefully chosen by Vachon, who included some of the group’s best known originals, like Dressed Up To Get Messed Up, Turn It On, Turn It Up, and That’s Right!, as well as tunes the band had previously recorded or performed with blues giants Joe Turner (Crawdad Hole), Eddie “Cleanhead” Vinson (Somebody’s Got To Go) and Earl King (It All Went Down The Drain). 45 Live is a flawlessly blended mix of rocking guitar, punching horns, room-filling vocals, serious musicianship and unbridled creativity. The results are a non-stop, hip-shaking party. It’s clear why The New Yorker described a Roomful concert as “thunderous performances that get feet stomping and hands clapping.”
Roomful of Blues, according to DownBeat magazine, “are in a class by themselves.” The band has been led since 1998 by Vachon, who, according to Guitar Player, “burns with explosive solos and a delightfully greasy sense of rhythm.” Roomful of Blues has always maintained its signature sound through great musicianship and a stellar horn section—featuring tenor and alto saxophonist (and clarinetist on 45 Live’s Jambalaya) Rich Lataille, who first joined the band in 1970. Lataille’s masterful playing can evoke either the fat-toned, honking sax of the glory days of early rock or the cool elegance of big band swing jazz.
While Roomful of Blues has always been one of the tightest, most joyful blues ensembles in the world, they have never sounded fresher or stronger than with the current line-up. Along with Vachon and Lataille, the band includes vocalist Phil Pemberton, long-time tenor and baritone saxophonist Mark Earley, trumpeter Doug Woolverton, bassist John Turner, drummer Chris Rivelli and keyboardist Rusty Scott.
Roomful of Blues came together in Westerly, Rhode Island in the late 1960s when guitarist Duke Robillard and keyboardist Al Copley began exploring the swinging, jumping blues, R&B and jazz of the 1940s and 1950s. They added a horn section (including Rich Lataille) in 1970. The band’s ability to ignite a sedate crowd into a dancing frenzy solidified their reputation as the best “little big band” in New England and expanded their following into New York and Washington, D.C. In 1974, they performed with Count Basie, and a few years later legendary songwriter Doc Pomus helped them land their first record deal. In 1977, Roomful of Blues’ self-titled debut album on Island Records (reissued on Hyena Records) brought them to the attention of fans and critics from coast to coast.
Over the years there have been more than fifty Roomful of Blues members, each bringing his or her own unique talent and vision to the mix. Famed alumni include guitarist Ronnie Earl, vocalist Lou Ann Barton, vocalist/harpist Curtis Salgado, saxist/vocalist Greg Piccolo and harpist/vocalist Sugar Ray Norcia. Recording for Rounder Records’ Bullseye Blues and Varrick labels between 1980 and 2001, the band cut nine albums that won them international fame and major rock radio airplay. They’ve gigged with stars ranging from bluesmen B.B. King, Otis Rush and Stevie Ray Vaughan to rockers Eric Clapton and Carlos Santana. The band has performed in cities from coast to coast, and traveled abroad to 22 countries including Lebanon, Poland, Spain, Italy, France, Portugal, Switzerland, Turkey and Russia.
In addition to their band recordings, Roomful of Blues were handpicked by legendary musicians like Jimmy Witherspoon, Jimmy McCracklin, Roy Brown, Joe Turner, Eddie “Cleanhead” Vinson and Earl King to back them on stage and on record. These stars of the 1940s and 1950s blues and R&B scene were the very people who created and inspired the music that Roomful still keeps vital and alive. Roomful recorded albums with Turner, Vinson and King during the 1980s, and all three recordings received Grammy nominations. The Roomful Horns backed many other artists as well, including rocker Pat Benatar on her 1991 album True Love, Canadian star Colin James on his album Colin James and the Little Big Band and Stevie Ray Vaughan on his 1984 Live At Carnegie Hall album.
Since Roomful joined the Alligator Records family in 2003, their popularity has continued to increase. Their first Alligator CD was the Grammy-nominated That’s Right! in 2003, followed by Standing Room Only in 2005, Raisin’ A Ruckus in 2008 and Hook, Line & Sinker in 2010. All four albums received massive amounts of critical and popular praise and kept old and new fans flocking to see them live. Blurt magazine raves, “No group has kept the spirit of early rock and roll alive better than Roomful of Blues. The heat burns red hot...they are pure fun to listen to.
They are one of America’s musical treasures.” With 45 Live, Roomful of Blues has fully captured the frenetic energy and musical power of their live show. The band will hit the road hard once again, so people can see and hear for themselves why The Chicago Sun-Times said, “This is a band on top of its game, sliding easily from big-band jazz-blues to guitar-drenched urban blues...let the party begin.”
If you haven’t been fortunate enough to meet Vanessa Collier and witness one of her head-turning, fiery, and passionate performances, you should definitely make sure you do. As a master musician and multi-instrumentalist, Vanessa weaves funk, soul, rock, and blues into every powerful performance and she is downright impressive. With soulful vocals, searing saxophone, and witty songwriting, Vanessa is blazing a trail, racking up an arsenal of honours, and has already singled herself out as an artist of distinction and one we would all do well to watch.
It’s not simply the accolades she has accumulated so far, although they’ve been many — three Blues Music Award Nominations (BMAs) for Contemporary Blues Female Artist of the Year (2018) and Horn Player of the Year (2018 and 2017), a Blues Blast Award nomination, the Jammingest Pro Award bestowed by the Legendary Rhythm & Blues Cruise, First Place for lyrics in the International Songwriting Competition, Best of 2014 Blues Breaker on Dan Aykroyd’s BluesMobile — it’s the fact that she has accumulated all these honours even while her career is still in its infancy. A 2013 graduate of the prestigious Berklee College of Music, she’s toured nationally and internationally, released two critically acclaimed albums (2014’s Heart, Soul & Saxophone and 2017’s Meeting My Shadow), and will release her highly anticipated self-produced third album, Honey Up, in July 2018.
These days, Collier spends much of her time on the road, performing at some of the most prestigious music festivals in the world. Her talents have taken her to the Blues Music Awards Show where, in the words of the Blues Foundation, Vanessa “blew the doors off the Blues Music Awards!”; Ottawa Blues Festival, where she earned two front page newspaper photos and rave reviews after her foot stomping debut there; twice on the Legendary Rhythm and Blues Cruise, where she earned the Jammingest Pro Award and was a featured artist with Tommy Castro’s Blues Review; Briggs Farm Festival, where she was the “most popular Briggs Farm act in 2017” (Elmore Magazine), and the list continues. In 2017, Vanessa was also a featured artist in three major tours across Europe as part of Ruf’s 2017 Blues Caravan.
As for Collier, she says she’s happy performing on stages across the world, hoping that she can make a difference with fans and followers along the way. “I am driven to do this because I find it a total form of expression and connection,” she explains. “I love connecting with an audience and feeling their energy and I hope to inspire people to follow their dreams and passions, to find what brings them joy, and then to pursue it doggedly.”